The sculpture is positioned in an open, grassy garden surrounded by tall trees and shrubs. It stands upright and is fully visible from all sides. The sculpture is vertical in orientation and reaches an approximate height of two meters. It is relatively narrow, the main element is about 10 cm wide. The sculpture consists of a solid central element made of concrete and several long, curving steel rods that pierce and extend from it. The overall shape is tall and narrow, with strong vertical emphasis.
The sculpture rests on a rectangular black metal base. The base is flat and sits directly on the grass. It is raised slightly from the ground by a shallow frame structure with thin legs or edges. The black color of the base contrasts both with the colors of Nature on the lawn and the light color of the sculpture.
The main body of the sculpture is a tall rectangular prism, standing vertically in the center of the base. It is made of a smooth, light-colored concrete. This part of the sculpture appears to be flawless, completely unnatural. This feeling is enhanced by the fact that the concrete surface is supported by four low pillars, thus appearing to float above the pavement and the black frame.
Sculpture’s height is much greater than its width and depth. The surfaces are flat and even, with sharp, clean edges. The top of the concrete structure is flat and horizontal. The front and back faces are identical in size and free of any texture or surface decoration, except for the attached steel elements.
Emerging from multiple points on the front, sides, and back of the concrete element are several narrow steel rods. These rods have a uniform thickness, a circular cross-section, and a weathered, brownish surface, possibly due to rust or intentional treatment. They appear to pierce through the concrete block or be embedded within it. The rods curve and bend outward in different directions. Their shapes are irregular and asymmetrical. Some of the rods rise above the top of the sculpture and extend into the air. Others loop around the sides or stretch toward the ground. The paths of the rods are not parallel or repetitive. Each follows a unique, flowing line. Some rods form open curves, while others have tighter bends or angular turns. From the front, several rods can be seen entering and exiting the surface diagonally or horizontally. From the side view, the rods appear to wrap partly around the structure or emerge at sharp angles.
The rods are longest in the lower part of the sculpture. There they extend in front of and behind the concrete structure. They seem to stabilize it visually. At the top of the structure, from the upper short side of the concrete structure, two rod structures protrude. In the middle is one of them. It shot up high, about half a meter. There it was bent 180 degrees and returned, sinking into the concrete. To the left of this one, another rod grows out of the concrete. This one climbs up, reaches a height of about 50-60 cm, turns slightly to the left. And ends there …
The central motif of the sculpture is a piece of rebar breaking free from a concrete block—a symbol of the struggle to escape fixed forms, norms, controls, and limitations of modern life. Once tightly bound to the concrete core, the rebar gradually loosens and eventually emerges from the surface in an unexpected, almost organic way. This act of liberation expresses the human desire to find balance, authenticity, and freedom in a world often constrained by rigid structures and burdened with technological and societal demands. Concrete, as a symbol of civilization and progress, contrasts with the organic movement of the freed rebar—now seemingly yearning to return to its original state, to merge once again with the earth as raw iron ore. The sculpture thus points toward a search for origin, natural order, and a reconnection with what is essential.