Localisation: Hotel Budweis, Hradební street
The sculpture Punk’s Not Dead by Libor Hurda stands on the edge of the flat roof of the side section of Hotel Budweis. It is a striking, smaller-than-life metal sculpture. The height of the sculpture is approximately 160 cm. The object stands on a small metal plinth which, truth be told, may be part of the building’s technical installation.
The sculpture depicts a human figure, but simplified in form. The figure is extending both arms outward in a welcoming or defiant gesture. The arms are horizontal and straight, suggesting an embrace or a symbolic cruciform stance. Both hands are in the same gesture. The middle and ring fingers are bent, touching the palm, and the others are straightened.
The torso is elongated and flows seamlessly into the base, which narrows downward in a smooth taper, almost like a tree trunk or totem. There is a small protrusion in the pubic area that stands out against the smooth background of the rest of the body.
The figure’s facial features are realistic. But yet, it’s really hard to tell if the figure has the face of a child or someone over 50. At the same time, it’s hard to tell if it’s a man or a woman. The face is slightly raised upwards. Stretched slightly in front of itself. It is slightly chubby. The nose is graceful and slightly upturned. The eyes are small and closed, the distinct mouth – compact and closed too. The face shows no emotion, but the gesture of slightly stretching the neck forward gives the impression that the figure is waiting for something. The head is slightly tilted upward, enhancing the sense of confidence, openness.
Much of the figure’s head is shaved bald. What makes this sculpture immediately arresting is the dramatic “mohawk” headdress erupting from the top of the figure’s head. This stylised punk hairstyle is made with 7 glass bottles. These bottles create a rhythmic and jagged silhouette that contrasts dynamically with the figure’s otherwise smooth and unified surface.